Don’t Worry Darling, a thriller starring Olivia Wilde, has generated a lot of attention because to its two A-list stars, enigmatic trailers, and production turmoil. Sadly, according to our review of Don’t Worry Darling, the finished product might not match up to the hoopla surrounding its release. The movie still has a lot to offer, though, and our review compliments its “beautiful designs, creative music, and good performances.”
Don’t Worry Darling will be in theaters beginning September 23. Check out the details below if you’re curious how and where you might see it for yourself.
Where and when to watch Don’t Worry Darling
Most of the U.S. and the U.K. will have Don’t Worry Darling available. this afternoon, with a wider distribution scheduled for September 23. (AU moviegoers will have to wait until October 6 to see the film). Visit the links below to view your local showtime listings to learn when and where you may watch the movie:
Fandango
AMC Cinema
Cinemark Cinemas
Regal Cinemas
When Can I Watch Don’t Worry Darling on Netflix?
Don’t Worry Darling is not yet accessible through any streaming subscriptions, however HBO Max will ultimately offer it as Warner Bros. distributes the movie. Previously, Warner films were available on HBO Max 45 days following their theatrical launch. However, Decider claims that Warner Bros. will now make “case-by-case” decisions regarding whether to launch streaming services (Should it hit the service after 45 days, it would come to HBO Max on November 7.)
Who Plays What Roles?
Katie Silberman penned the screenplay for Don’t Worry Darling, which Olivia Wilde directed. The actors who appear in it are:
As Alice Chambers, Florence Pugh
Jack Chambers, played by Harry Styles
As Bunny, Olivia Wilde
As Frank, Chris Pine
As Shelley, Gemma Chan
As Margaret, KiKi Layne
Dean was Nick Kroll.
Runtime and Rating for Don’t Worry, Darling
The movie Don’t Worry Darling has a R rating for language, violence, and sensuality. Including credits, the movie lasts for a total of two hours and two minutes.
Review of “Don’t Worry Darling”: An engaging psychological thriller despite significant shortcomings
When it comes to how people view the 1950s, there is a certain idealization. In several movies, women in costumes that perfectly suit their hourglass figures and promises of fortune are used to highlight the glitz and glamour of old Hollywood. Of all, it simply takes a realistic examination of history to realize that there was much conflict at that period. This included, but wasn’t limited to, financial discrepancies, gender inequality, and racial segregation. The nicely polished image had large flaws in it. The fact that the new psychological thriller Don’t Worry Darling draws inspiration from that time period to depict a tale of characters pursuing the American Dream despite its many undercurrent nightmares seems appropriate.
Don’t Worry Darling is an enjoyable joyride with substance thanks to gorgeous cinematography, focused directing, and a few standout performances. Unfortunately, the ambitious movie makes the mistake of taking on too much, which leaves some obvious story holes and a bloated third act.
Don’t Worry Darling, a film by Olivia Wilde and Katie Silberman, centers on a young couple named Alice (Florence Pugh) and Jack (Harry Styles) who reside in a stunning company town that seems to have been plucked straight out of the 1950s. The women are all stay-at-home mothers and wives, while all the men are employed by the shrouded Victory Project. Frank (Chris Pine), the founder of Victory Project, is in charge of the community and teaches an orderly philosophy that is fervently adhered to by everyone. The young couple’s life initially appears to be wonderful and beautiful, but then events begin to occur that cause Alice to doubt both her reality and the reputation of their little town. It’s a suspenseful thriller that will keep audiences guessing from the get-go, with some insightful social satire sprinkled throughout.
First of all, this movie has stunning visuals. The 1950s had many issues, but fashion was not one of them. Don’t Worry Darling embraces this beautiful style wholeheartedly, enabling all the scenes to be portrayed with vivacious vitality. Although there is something sinister going on in this town, the juxtaposition of vibrant hues and the sunshine serves to undermine the notion of success and contentment. The desert oasis that is shown to the viewers almost makes them envious, but they are also uneasy since they sense something isn’t quite right.
While focusing on Alice’s mental disintegration, director Wilde does a good job playing off this style. When necessary, she abruptly presents us with upsetting visuals after using the camera to lull us into a false sense of normalcy. There is a strong emphasis on Alice’s journey, and Wilde makes it a point to always show us close-ups and images of the characters’ expressions, no matter how subtly they are reacting. The movie has an arthouse aesthetic that almost has a dreamy quality. It fits the narrative well, yet occasionally some scenes seem excessive, as if they were just included because Wilde felt they would look good rather than because they had any genuine purpose.
Throughout the entire movie, there are also some profound topics that are portrayed. There are issues raised about gender roles, conformity, and the concept of the nuclear family. It’s interesting how this almost accomplishes two goals at once. In the 1950s, there was a perception that men made the money and women took care of the home, and that this was the “real” definition of balance. There is an important need to push back against this sugar-coating of history; if some far-right conservatives had their way, you would be led to believe that this was the ideal time for everyone, and that things only got “worse” when women started wearing pants, choosing when or if to have children, and the nuclear family (a heterosexual couple and their dependent children) began its “breakdown.”
That’s because nobody was content and nothing was flawless. The financial dependence of women on their husbands was maintained. In most regions in the United States, they weren’t permitted to have their own bank accounts until the 1960s, and women weren’t even permitted to have their own credit cards without a spouse co-signing for them until 1974. Before 1985, women could not obtain a divorce without demonstrating “wrongdoing” on the side of the spouse. Not to add the misconception that all women were stay-at-home mothers and wives, when many working-class women fought for equal pay with men long before the 1950s.
Despite these unflinching realities casting doubt on the 1950s fairytale, a significant percentage of the present population nevertheless claims to yearn for those “simpler” days. It’s vital to keep this in mind while watching Don’t Worry Darling because these same people advocate for legislation that undoes advancement under the pretense of returning to the way things “used to be.”
There are other parts of the movie that aren’t so fantastic after all that great stuff to take in. I might contend that Don’t Worry Darling is a movie that requires multiple viewings in order to fully comprehend what unfolds. That’s because, during the third act, the film’s gradual pacing is abruptly replaced with a barrage of new rules that are explicitly intended to give the film’s concluding scenes some sense.
It’s terrible because the movie was doing a great job at first with its simplicity. Although things were strange, they were handled in a way that allowed viewers to suspend their disbelief and ignore the anomalies. But by the film’s last half-hour, that is no longer the case. There are certain revelations that seem hurried and senseless. The disclosures don’t do the best job of explaining themselves, but it’s not so bad that you need to see it more than time to comprehend. There is no tying of loose ends.
You will be let down if you watch the entire two hours and thirty-eight minutes hoping that everything would make sense in the end.
Pugh does a good job portraying Alice. You’ll see a lot of her in this movie if you’ve seen her in other movies like Midsommar. Although she doesn’t really pioneer anything new, viewers will be interested in what happens to Alice because of the way she is portrayed. Pine’s performance as Frank, the town’s mayor, is the standout one. It almost feels like until he appears on screen, the movie hasn’t really begun. Frank is a complex, perhaps deadly character who represents the so-called ideal of masculinity. Some of the better parts of the movie are in the sequences that he and Pugh are in together. The fact that Don’t Worry Darling doesn’t emphasize that dynamic the most nearly feels like a squandered opportunity. This takes me to the movie’s second major flaw: the friendship between Alice and Jack.
They did this movie’s marketing a disservice. In contrast to what the advertising would have you believe, the story is actually about Alice. Expectations are created when Jack’s role is given more attention than it should have. Expectations that, sadly, Jack’s actor, Styles, falls short of. It’s not so much that his acting is subpar as it is that there is discrepancy between the persona he is meant to be and the one that Styles chose to play. Because of the miscast, it serves more as background decor and a method to squeeze in a few sex scenes than as a way to further Alice’s plot.
It’s not flawless, but Don’t Worry Darling doesn’t have to be. Overall, it’s a suspenseful thriller with commentary worth hearing. You won’t be bored; instead, you’ll be amused by themes that get you thinking.
How to Watch Don’t Worry Darling: (Free) Online Streaming at Home
